The Lady Olivia was more lovely than lustful, Sir Toby drank nothing more dangerous than orange pop and Andrew Aguecheek was more of a fool than a fop. There are plenty of Catholic Malvolios, Mormon Malvolios, Buddhist, Jewish, Hindu, and Muslim Malvolios— and wherever they appear may the Festes, Sir Tobys, and Marias of this world twit them cheerfully and drink to their final happiness.
Sir Andrew Aguecheek was hilariously campy while partying with a deviously devilish Feste and Sir Toby. It is a different and more harsh response considering the fact that the play is unabashedly a comedy, yet the effect is similar when compared to the film version.
Will you help us remain a refreshing oasis in the increasingly contentious arena of modern discourse? Have you no wit, manners, nor honesty by to gabble like tinkers at this time of night?
He leaves in the final scene wanting revenge from the kinsmen and servants that played the joke on him. Although he does not make any profound remarks, he seems to be the wisest person within all the characters in the comedy.
While keeping the language intact, the scene is treated in a serious and dark fashion, but still with the same outcome of breaking Malvolios dignity to an extent as well as to expose his own foolishness. I know his soul is in heaven, fool. The fact that Sir Toby and Maria pretend Malvolio is possessed, and Feste disguised as Sir Topas the curate mockingly attempts an exorcism, would indicate that Shakespeare pushed the puritanical madness even further—seeing it as a kind of incurable demonic obsession.
In fact, they dislike and ridicule him terribly by reminding him that he is just a steward. Innuendo bowed to innocence. The Puritans were famously opposed to the playhouses, which were usually associated with the lowest elements of society.
He gets carried away with his dreams, and starts to take action. Malvolio was their man. The production of Twelfth Night was expertly trimmed down to be fast paced and accessible. How to cite this page Choose cite format: After vaunting himself before the Lady Olivia, Malvolio is teased about being mad, then locked up as a lunatic.
Does he see them as chained in a purgatorial prison of their own making? Hire Writer One of the major contrasts between the film version created in was its treatment of this scene. With mourning of a loved one being considered a perfectly acceptable act, particularly with customs of the time in Western Europe, Feste takes a position of bringing a sensibility to his words that while logical, would not be immediately seen as such.
It was the culture of the mystery plays and the rough and tumble, blood and glory, lusting and loving, fasting and feasting of the lives of the English people.
Malvolio finally faces the truth, and realizes that he is socially undeserving of his noble mistress, and departure. The humor lies in this truthfulness. However it is this truth that prevents Olivia from retaliating as she is caught in her own folly.
While the answer is obviously the death of her beloved brother, the point Feste tried to make was why was Olivia mourning for a person whose soul is in heaven? Years later, in England I played the part of Antonio in an outdoor summertime production. Some might find it ironic that Bob Jones University—famous for its own brand of puritanical piety—would produce a play whose subplot turns on the mockery of puritanical Protestantism.
The social hierarchy that was trued upside down during the play it is set back onto its feet.
In addition, the sexual innuendo, corruption of boys who played the female parts and general mis rule were anathema to the Puritan preachers.
The Puritans, in contrast, were Protestant, punctilious, sober, and serious. If they are aware of this dimension to the play and perhaps see themselves, it is all the more to their credit, and if their laughter punctures prudish pomposity wherever it appears, even better, for Protestant fundamentalists most certainly do not hold the monopoly on puritanical self-righteousness.
Feste, however, is primarily known as not only a comedian, but rather bearer of truth in the comedy. The Puritans were also opposed because the playhouses were in competition with their pulpits. The riotous revels were all the more hilarious when the upright Malvolio appeared, like an imperious schoolmarm catching the boys in the midst of a midnight feast.- Malvolio in William Shakespeare's Twelfth Night The problem involving Malvolio in Twelfth Night has been known for a long time but still very difficult.
The gist of it is this.
A lot of modern readers or spectators feel that the way in which Malvolio is treated is extremely bad. The play Twelfth Night is one of Shakespeare’s most celebrated comedy, which does have difficult plots that result in hilarious mi-centre.com the comedy Shakespeare uses the love triangle Shakespeare has formed an evenly confusing subplot involving Malvolio and the other members of Olivia's staff.
In act two, scene three of Twelfth Night, Maria, perturbed by Malvolio's chastisement, vehemently labels the steward "a kind of Puritan," "a time- pleaser," and "an affectioned ass" (,). The Character Malvolio From Shakespeares Twelfth Night English Literature Essay.
Malvolio’s position within the play is that of a steward to the Lady of the house, Countess Olivia. - Malvolio's Mistreatment in Shakespeare's Twelfth Night Although Malvolio is a pompous, arrogant, and vain character, I still think he was mistreated because he didn't deserve what he got from sir Toby, sir Andrew, Fabian, and Maria.
Feste, The Decisive Fool Of Shakespeare’s Twelfth Night Essay. A fool can be defined in many meanings.Download